In the past I have occasionally discussed the 10 best exhibits and ignored the other 1,200 or so; this year, as there are no best, I thought to choose the 10 worst, but in so universally dismal a gathering, even that has proved impossible and I have only three to offer, all in their own ways so ghastly that I must award them Equal First. They are Lorry Art, by Rose Wylie [above], a daub worthy of a child of four; Sudden Rain in Mombasa, by Mohammed Abdullah Ariba Khan, who has the impertinence to ask £1,400 for a seascape (in an ornate sham gold frame) of the kind to be expected in a Margate B&B; and The Vanity of Small Differences, Perry’s six tapestries in hideous homage to Hogarth, visually raucous and machine-made offences to all for whom the word tapestry conjures the glories of Mortlake and Brussels.