Perronneau catalogue raisonné

November 28 2014

Image of Perronneau catalogue raisonné

Picture: National Gallery

Neil Jeffares informs us that a new catalogue raisonné of Jean- Baptiste Perronneau's work will be published in January. He's one of my favourite French artists, and I particularly like the way his pastel technique (he was primarily a pastelist) translates into oil, as seen in the above portrait of Jacques Cazotte in the National Gallery. I've not come across a firm link, but I've often wondered if he had an impact on Gainsborough's later work.

I look forward to seeing the book, which is published by Arthena, and written by Dominique d'Arnoult. As is often the case with these things, there's no easily findable website to send you to (not even on Amazon). So I'm not sure how you'd buy it.

Update - a reader sends in this astonishing fact:

Thrilled to hear about the catalogue: if anyone decided to put on a show of 18thc French portraits, he would emerge as a real star.  Come to think of it, why hasn't there been one; I think people would be surprised how consistently good the works would be from the epochs of Rigaud to David. And, as your other recent post shows, the portrait sculpture was exceptional.

 One other thought per the recent dicsussions around the National's new Wilkie.  The Perronneau of Cazotte, which is a masterpiece, was bought by the Gallery at public auction in 1976 - for £88,000 I recall -  and is only one example of the practice of the then Director, Michael Levey, to bring in to the collection, and thereby for the public in this country overall, works by unfamiliar but important artists.  

It remains the only Perronneau painting in UK collections: PCF list 132 works by Wilkie.

And yes, in terms of price, French 18th portraits are cheap. I'm not sure why. I think the overall aesthetic is too 'peaches and cream' for today's modern taste. We could never shift them when I was flogging portraits in London. But doubtless this'll change.

Update II - Neil Jeffares has the order form here. It seems the publishers don't have a website. So much for digital art history...

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