Henry Scott Tuke explores the complexities that surround the life and art of this British painter, famed for his depictions of sun, sea, and bathing during a late Victorian and Edwardian golden age. Tackling questions of artistic influence, art practice and a varied reception history, the exhibition brings together some of Tuke's most significant works.  Having spent his early years studying at the Slade School of Art, Tuke first discovered the appeal of painting en plein air on his travels in Italy and France. On his return to Britain in the 1880s, like many of his generation, Tuke was drawn to Cornwall. He initially headed to Newlyn, while the emerging artists' colony was still in its infancy, before settling in Falmouth. Using both beach and boat as his studio, Tuke built his early reputation with ambitious sombre-coloured scenes of Cornish seafaring. He even converted an old French brigantine, the Julie of Nantes, into a colossal 60-foot floating studio. It was aboard this vessel that Tuke painted his most ambitious seafaring subject, All Hands to the Pumps! (Tate). 

Today – as in his lifetime – Tuke is best known for his distinctive depictions of nude male youths swimming, messing about in boats and sunbathing on Cornish beaches. Influenced by the colour and technique of the European avant-garde, Tuke strove to capture the chromatic effects of sunlight on skin, becoming a leading figure in the resurgence of the male nude in British art.