The Venice Biennale

May 22 2013

Image of The Venice Biennale


I'm soon going to be covering the Venice Biennale, with Alastair Sooke, for BBC2's The Culture Show, so am trying to mug up on what there is to see. Already, however, my brain is aching. Does anyone know what this last sentence means?

“Over the years – the President [of the Biennale] Paolo Baratta explains– in representing the contemporary, our curators have developed an insight of how important it is to place artists in a historical perspective or in a context of mutual affinities, by highlighting ties and relations both with the past and with other artists of the present. At the same time, in contrast with the avant-garde period, attention has increasingly focused on the intensity of the relationship between the work of art and the viewer who, though shaken by artistic gestures and provocations, ultimately seeks in art the emotion of dialoguing with the work, which should cause that hermeneutical tension, that desire to go beyond what is expected from art.”

More here

Update - a reader writes:

Roughly translated, the final sentence reads: "It's not a load of rubbish, you just don't 'get' it."

Another reader seems to be able to make sense of it all:

"Though shaken by artistic gestures and provocations" That is to say - Even though the incomprehensible attitudes of the artist made an impact on the viewer (perhaps of fear, or puzzlement) he did not understand the artist's intent (and probably neither did we). To overcome this problem we will argue that to "understand" does not really matter - What matters is the "intensity of the relationship between the work of art and the viewer" and that the viewer should seek "in art the emotion of dialoguing with the work". In other words - Forget all the complex literature and focus on what you really think about the object in itself. 

See, it is possible to use plain English when talking in artspeak. People in the contemporary world should try it some time.

Finally, a reader adds:

Remember the mantra from Brideshead: 'Charles,' said Cordelia, 'Modern Art is all bosh, isn't it?'

Notice to "Internet Explorer" Users

You are seeing this notice because you are using Internet Explorer 6.0 (or older version). IE6 is now a deprecated browser which this website no longer supports. To view the Art History News website, you can easily do so by downloading one of the following, freely available browsers:

Once you have upgraded your browser, you can return to this page using the new application, whereupon this notice will have been replaced by the full website and its content.