Sargent’s The Earl of Dalhousie evokes a brilliant transitional moment in British portraiture, being late Victorian in date but strikingly modern in appearance. The artist injected a new dynamism into such paintings; he had a profound knowledge of both the grandest traditions of portraiture and recent innovations and combined here a nod to the achievement of Van Dyck (in terms of pose and setting) with energised, bravura brushwork and incisive characterisation. Such skills were to prove irresistible to a generation of British patrons. 

Dalhousie was a Scottish aristocrat and his portrait is one of the finest of all Sargent’s studies of male subjects; an image of hauteur perhaps tinged by uncertainty, it is a coming of age painting, created when the subject turned twenty-one, and, as recent research has shown, it was paid for by his tenants. Outstanding aesthetically and in terms of the study of the art and culture of the period, it would be a profound misfortune if this scintillating work were not secured for a British collection.