Ingrid Moortgat: Close family and guild ties: the Gabron dynasty of panel makers in seventeenth-century Antwerp

Justin Davies: Van Dyck’s use of panels made by the Gabron family: occurrences and new findings

Joost Vander Auwera: The 1660–1661 Antwerp court case about a series of Van Dyck’s Apostles: two new documents and some reflections on the course of justice and the potential for new discoveries

Joost Vander Auwera: The 1660–1661 court case on the Apostles series by Van Dyck: A Who’s Who of the Antwerp artistic scene in the post-Rubens and post-Van Dyck era

Andrea Seim: The Remigius van Leemput series in the Royal Collection: its importance for dating small panels

Justin Davies: The impact of JVDPPP’s dendrochronological findings for the dating and attribution of the small panels related to Van Dyck’s Iconography

Justin Davies: Anthony Van Dyck, his panels and panel makers: identifications and patterns

Joost Vander Auwera: Jordaens’s re-use and enlargement of panels in light of the studio practices and art theory of his day: the example of The Adoration of the Shepherds in Bristol

Justin Davies: The Adoration of the Shepherds: now found to have hung in Jordaens’s house in Antwerp

Alexis Merle du Bourg & Rafaella Besta: Reflections on the history of Van Dyck’s “Böhler Apostles”

Joost Vander Auwera: An Old Woman in the Fitzwilliam Museum: Jordaens not Van Dyck