Angelica Kauffman was one of the most important painters working in late eighteenth-century Britain and this is an especially interesting example of her output. Though the artist is justly celebrated for her subject pictures, Kauffman’s portraits are equivalently complex and ambitious in character. This double portrait of the May family, in which Mary May is pictured with her daughters, and Joseph May with his sons, is extremely unusual in splitting up its male and female subjects in such a direct way. At the same time, Kauffman’s adept handling of composition ensures that the two pictures elegantly complement each other. As well as having a powerful aesthetic appeal, the paintings offer a sensitive pictorial meditation on parental and sibling relationships, and on the different stages of childhood. For all these reasons, they make a powerful contribution to our understanding of Georgian portraiture.