The exhibition, which boasts prestigious international loans, is an opportunity to present the work of the Cretan artist in the light of the latest research on his work: El Greco in fact proposes a profound and innovative historical-critical reflection, whose strengths are from the careful reconsideration of the impact of Italian models in the artist's training and from the proposal of an interpretation of the results of El Greco's activity in the last Toledan period in terms of conscious recovery of a compositional setting in the broader Byzantine sense.

The exhibition itinerary is divided into sections designed so as to keep constantly in focus the artist's relationship with the places where he lived in order to offer visitors a precise historical-biographical reconstruction with great clarity and immediacy of impact, at the same time establishing a series of stringent comparisons with the great Roman and Venetian painting, bringing out the powerful theme of the labyrinth to underline how El Greco's life was a sort of immense bildungsroman that took place among the cultural capitals of the Mediterranean.