Why Damien Hirst uses assistants

January 18 2012

From an interview in GalleristNY:

 

“I keep getting this thing about painting your own work,” he said. “You don’t paint the spots and all that shit. I’m doing this other stuff where I’ve got two guys in Italy carving a sculpture out of granite. So I’ve made a plaster, working in the foundry, of two figures. One of them is based on Michelangelo’s Slaves, the other on the sculpture of a female slave by Hiram Powers.

“These two guys are amazing granite carvers and they are working day in, day out. And it’s like two and a half years to make one. And it’s an edition of three. So that’s 10 years, with an A.P.”—Artist’s Proof. “If wanted to do it I would have to go and study for 10 years, five years. To learn how to carve granite. Fucking hell! If these guys live to be 70 they are going to be able to make 12 of these. And that’s their whole careers. And that’s your whole life gone. So you have to get people.”

Michelangelo didn't.

 

Notice to "Internet Explorer" Users

You are seeing this notice because you are using Internet Explorer 6.0 (or older version). IE6 is now a deprecated browser which this website no longer supports. To view the Art History News website, you can easily do so by downloading one of the following, freely available browsers:

Once you have upgraded your browser, you can return to this page using the new application, whereupon this notice will have been replaced by the full website and its content.