Caravaggio Sweatshirts & Shorts
May 7 2021
Picture: Defaultclub
Posted by Adam Busiakiewicz:
Instagram must be harvesting too much information regarding my interests, as it's decided to bombard me with adverts for Default Club's new range of Caravaggio 'streetwear' clothing.
I wonder if Caravaggio could have ever imagined his religious masterpieces being reused for printed clothing centuries after his death. Sweatshirts, t-shirts, backpacks and shorts can all be purchased with his paintings plastered over them, with prices ranging from €25 - €55 (excluding shipping).
Personally, I feel rather obliged to purchase this particular sweatshirt for myself.
Center for Netherlandish Art to Celebrate Van Dyck's Icarus
May 7 2021
Picture: Van Otterloo Collection
Posted by Adam Busiakiewicz:
The Center for Netherlandish Art at the Museum of Fine Arts, Boston, are running a special program of online lectures to celebrate Van Dyck's Self-Portrait as Icarus with Daedalus. The painting, dating to 1618, is a promised gift from the Van Otterloo Collection to the gallery.
The program of lectures will be broadcast online on 8th July 2021 12.00pm - 13.30pm EDT.
Here's the program in full:
Opening remarks: Yves Wantens, General Delegate of Flanders to the USA
Introduction to the art of Anthony van Dyck at the MFA: Christopher Atkins, Van Otterloo-Weatherbie Director, Center for Netherlandish Art
In-depth investigation of Anthony van Dyck’s Self-portrait as Icarus: Katlijne Van der Stighelen, professor of Early Modern Art History, KU Leuven (University of Leuven), Belgium
Icarus as a subject in Flemish art, from Bruegel to Van Dyck and beyond: Larry Silver, James and Nan Wagner Farquhar Professor Emeritus, University of Pennsylvania
Roundtable conversation: Moderated by Antien Knaap, assistant curator, Art of Europe, MFA
Bilbao Fine Arts Museum Acquires a Sofonisba Anguissola
May 7 2021
Picture: Bilbao Fine Arts Musuem
Posted by Adam Busiakiewicz:
The Bilbao Fine Arts Museum have announced their acquisition of The Mystical Marriage of Saint Catherine by Sofonisba Anguissola.
According to the museum's press release:
This painting by Sofonisba Anguissola was recently discovered, making it an extraordinary new addition to her small known body of religious works. Signed and dated by Anguissola herself, it is in an outstanding state of conservation and only required a slight intervention to participate in the exhibition A Tale of Two Women Painters: Sofonisba Anguissola and Lavinia Fontana, curated by Leticia Ruiz and held at the Museo del Prado in 2019, the first time the painting was seen in public.
...
The date of the work, 1588, indicates that it was painted in Genoa, the city where Sofonisba Anguissola lived between 1580 and 1615, when she enjoyed a wealthy lifestyle that enabled her to devote herself fully to painting. This leads us to believe that this was where she directly encountered the work by the same name by Luca Cambiaso—one of the top representatives of the Genoese school—which she faithfully reproduced on the canvas that now joins the collection of the Bilbao Fine Arts Museum. The artist may have been interested in this new iconography, which shows a Christ Child grown and very strongly resembling his mother, which humanises his figure and gives him a more important role in the scene.
Here's the write up from La Tribune de l'Art.
NPG send Richard III home to York
May 7 2021
Picture: NPG
Posted by Adam Busiakiewicz:
As the The National Portrait Gallery in London is currently closed due to a refurbishment project, the gallery are sending their celebrated sixteenth century portrait of King Richard III to York for a special exhibition at the Yorkshire Museum entitled Richard III Coming Home.
According to the museum's website:
The painting, which has become synonymous with the depiction of Richard III, is on loan from the National Portrait Gallery, London, and will be displayed alongside the museum’s outstanding collections associated with the King such as the magnificent Middleham Jewel, The Ryther Hoard and the Stillingfleet Boar Badge worn by one of his supporters.
The loan to the Yorkshire Museum is part of the National Portrait Gallery’s nation-wide COMING HOME project, that will see some of its most iconic works travel to the place they are most closely associated with.
The exhibition will run from 9th July - 31st October 2021.
Sala degli Avori in Bargello Museum Reopens after Six year Renovation
May 7 2021
Posted by Adam Busiakiewicz:
The Sala degli Avori in Florence's Bargello Museum has reopened after being closed for six years. More specfically, the newly renovated room holds the museum's collection of ivory sculpture including rare Etruscan and Roman objects to 19th-century artefacts. Many of the objects presented in the room were gifted by the Lyonnaise antique dealer Louis Carrand on his death in 1888. New glass cabinets have been installed alongside information displays bearing English translations for the first time in the museum's history.
New Release: Albert and the Whale
May 6 2021
Picture: Pegasus Books
Posted by Adam Busiakiewicz:
Artdaily.com have produced an interesting write up of Philip Hoare's new book entitled Albert and the Whale: Albrecht Dürer and How Art Imagines Our World. The book is said to be a blend of "art history, biography, nature writing and memoir."
To quote the article linked above:
The book’s central figure — the one from which Hoare’s centrifugal energies radiate — is German artist Albrecht Dürer. The book’s marine angle, initially anyway, is a beached whale that Dürer traveled to see but never saw; perfectly indicative of the strange, seemingly spare ingredients that Hoare likes to turn into feasts. In Dürer’s time, whales “presented a great challenge and allure” to artists, because “they were so difficult to comprehend. Like God, no one could agree what they really looked like, or what they might be capable of.”
...
This book requires patience, and a mild tolerance for passing clouds of pretension or obscurity; but these hazards are just residual effects from the forceful weather system that is Hoare’s imagination...
Lecture: Mathematics and Art Conservation
May 6 2021
Posted by Adam Busiakiewicz:
A reader has kindly informed me of this rather intriguing free online lecture being broadcast by St Cross College at the University of Oxford. Professor Ingrid Daubechies of Duke University will be giving The 7th Lorna Casselton Memorial Lecture on the subject of Mathematics and Art Conservation. Prof. Daubechies has previously been involved in using image-processing algorithms to digitally restore paintings and has also worked with the Van Gogh Museum in Amsterdam to create digital processes to identify forgeries.
The lecture will be broadcast on 13th May 2021 at 17.00 GMT. The lecture is free to attend but you'll have to register with the University of Oxford's online system first.
New Virtual Tour: The Director's Choice
May 5 2021
Picture: The National Gallery
Posted by Adam Busiakiewicz:
The National Gallery in London have uploaded a rather swish new virtual tour entitled The Director's Choice. As the name suggests, the virtual exhibition space has been specially arranged by the gallery's director Dr Gabriele Finaldi and includes recorded segments where he personally introduces each work of art. The tour was created with the firm Moyosa Media.
Florence's Accademia Gallery Reopens with Revamped Displays
May 5 2021
Posted by Adam Busiakiewicz:
The Galleria dell'Accademia di Firenze will reopen to the public tomorrow (6th May). During the most recent lockdown the gallery has spent a great deal of time redisplaying artworks and sculptures within the Tribuna del David, Gipsoteca and the Sala del Colosso. One of the most radical changes includes new displays of busts by Lorenzo Bartolni (1777-1850), which had previously been placed up high and were often overlooked. (pictured) New displays have also been arranged for the Accademia's collection of historical musical instruments, including stringed instruments by Stradivarius.
Picasso's Guernica Recreated in Chocolate
May 5 2021
Video: Telemadrid
Posted by Adam Busiakiewicz:
Confectioners in Spain have been busy creating an enormous copy of Pablo Picasso's 1937 masterpiece Guernica. The recreation was produced to mark the 85th anniversary of of the bombing that inspired the work.
Although 1,102 pounds of chocolate was used to make this copy Lorena Gomez, president of the Basque Federation of Sweet Artisan Gastronomy, has answered the question we all want to know:
It cannot be eaten, as it has suffered a lot of temperature change and is gathering dust.
Divine Lightning: 900 Years of the Norbertines
May 5 2021
Picture: visitleuven.be
Posted by Adam Busiakiewicz:
Park Abbey, an ancient Premonstratensian abbey near Leuven, will be opening a major retrospective exhibition this month to celebrate 900 years of the establishment of the order of Norbertines. This will include a specially devised route around their handsome historic interiors including rarely seen works of art from their collection. The exhibition will last until 1st August 2021.
The Neapolitan Lives and Careers of Netherlandish Immigrant Painters
May 5 2021
Picture: Amsterdam University Press
Posted by Adam Busiakiewicz:
The Diplomatic Delegation of Flanders in Italy are hosting a free talk with the art historian Dr. Marije Osnabrugge to discuss her new book The Neapolitan Lives and Careers of Netherlandish Immigrant Painters (1575–1655).
Here's a blurb discussing the content of the publication:
The seventeenth century was a time of exceptional mobility for Netherlandish artists. This mobility had a profound impact on artistic developments, stimulating innovation and creativity in the Netherlands as well as abroad. Whereas most artists undertook a relatively short study trip, others decided to settle down and shape their life in a new environment. This study traces the integration process — as artists and as migrants in general — of Aert Mytens, Louis Finson, Abraham Vinck, Hendrick De Somer and Matthias Stom in Naples between 1575 and 1655. Departing from the idea that the experience of every migrant is specific to their background and skills, The Neapolitan Lives and Careers of Netherlandish Immigrant Painters (1575-1655) examines the challenges each of these five artists faced, the choices they made and the opportunities they grasped. The dynamics of art and society in Naples, the bustling capital of the Spanish viceroyalty, forms the context for their lives and careers.
The talk will be broadcast on 6th May 2021 at 6 pm CET / 12 pm EDT. It is free to attend with registration.
New Release: The Life and Times of Hans Holbein
May 5 2021
Picture: headofzeus.com
Posted by Adam Busiakiewicz:
The television producer and author Franny Moyle has a new book coming out later this month entitled The King's Painter: The Life and Times of Hans Holbein. The format of the book seems to look towards the many popular Tudor history books that have been published in recent times.
According to the book's blurb:
Hans Holbein the Younger is chiefly celebrated for his beautiful and precisely realised portraiture, which includes representations of Henry VIII, Thomas More, Thomas Cromwell, Anne of Cleves, Jane Seymour and an array of the Tudor lords and ladies he encountered during the course of two sojourns in England. But beyond these familiar images, which have come to define our perception of the world of the Henrician court, Holbein was a protean and multi-faceted genius: a humanist, satirist, political propagandist, and contributor to the history of book design as well as a religious artist and court painter. The rich layers of symbolism and allusion that characterise his work have proved especially fascinating to scholars.
Franny Moyle traces and analyses the life and work of an extraordinary artist against the backdrop of an era of political turbulence and cultural transformation, to which his art offers a subtle and endlessly refracting mirror.
Last week I featured one of the pieces of research, relating to Holbein the Younger's earliest portrait, which will be included within the book. Another piece of research was published by artnews.com earlier this week, explaining Moyle's theory regarding a Holbein miniature in the Royal Collection.
John Russell's Female Portraits
May 5 2021
Video: The National Portrait Gallery
Posted by Adam Busiakiewicz:
The National Portrait Gallery in London have released the following video discussing artist John Russell's (1745-1806) Female Portraits. More specifically, the video features research presented by Gemma Haigh, Curatorial Assistant at Guildford Heritage Service and Understanding British Portraits Fellow (2021). It also features an interview with the pastels maestro Neil Jeffares.
400 Artworks Rediscovered in 'Abandoned' Castle Basement
May 4 2021
Posted by Adam Busiakiewicz:
Bizarre news from Italy this evening.
400 artworks dating from the fifteenth to twentieth centuries have been rediscovered in an 'abandoned basement' of Maschio Angioino (Castel Nuovo), near Naples. It is believed that the works were moved there after the Iripina earthquake of 1980 and were simply forgotten. The basement and works were recently rediscovered after surveys were made of the building after a spell of bad weather.
The Italian press claim that works by Luca Giordano, Francesco De Mura, Paolo De Matteis, Giuseppe Bonito, Onofrio Avellino and Jacopo Cestaro are amongst the works that have been found. Alas, it also suggests that most are in a perilous state to due the poor conditions and humidity in the basement. This is said to include Luca Giordano's Madonna del Rosario with Dominican saints, a large work measuring 4 x 2.6 metres.*
Administrators in the region are currently working on a plan to have the works saved and conserved. Some members of the Italian Parliament have been calling for an enquiry into exactly why no inventory of the works existed and what can be done to remedy the sorry situation of the paintings.
* - Presumably not this version recorded in the Galleria Napoletana (Museo di Capodimonte) (?)
Job Opportunity!
May 4 2021
Picture: Laing Art Gallery
Posted by Adam Busiakiewicz:
The Tyne & Wear Archives & Museums are hiring a Keeper of Art.
According to the job description:
We are seeking a Keeper of Art who under the direction of the Chief Curator will work with the art galleries designated collections and deliver the exhibition programme. The post holder will be mainly based at the Laing Art Gallery but will also work between the two other galleries.
Tyne & Wear archives and Museums is a major museum service managing nine museums across the North East which include the three Art Galleries; Laing, Shipley and Hatton Gallery managed on behalf of Newcastle City Council, Gateshead Council and Newcastle University. Each Gallery is home to a unique and outstanding collection showcasing high quality exhibitions and displays.
The salary on offer, for looking after art across these three museums, is between £29,577 - £32,910 per annum. Applications must be in by 13th May 2021.
Good luck if you're applying!
Turner & Lowry Actor given First Solo Show
May 4 2021
Picture: Pontone Gallery
Posted by Adam Busiakiewicz:
Timothy Spall, who played both J.M.W. Turner and L.S. Lowry on the big screen, has been given his first ever solo show by the Pontone Gallery in London. Spall had received special tutelage from the painting consultant Tim Wright for a period of two years before the 2014 Turner biopic.
Spall is quoted as expressing:
“I started painting stuff that was based on very strong images that related to the mood and feelings that I had and then all of a sudden this thing started to happen,” he said.
Wright said Spall could have been a “very good pastiche artist” after he worked on a copy of a Turner painting in the buildup to the biopic, and although Spall’s own paintings are mostly landscapes, they’re a world away from Turner, Spall said. “They’re pretty good benchmarks to reach for, wherever you get one millimetre towards it or not.”
The show Out of the Storm will run from 18th June - 18 July 2021.
Teatro di San Carlo to Restore Giant Theatre Curtain
May 4 2021
Posted by Adam Busiakiewicz:
The Teatro di San Carlo in Naples have announced their plans to conserve their enormous painted theatre curtain. The painting of Parnassus, which measures 12 metres high x 17 metres wide, was completed by artist Giuseppe Mancinelli (1818-1875) in 1854. Surprisingly, especially given the curtain's current appearance, the enormous painting had been treated as recently as 2011. The new campaign of restoration will be undertaken by the Italian company Ambra Restauri.
Early Wall Paintings Conserved in Coventry
May 4 2021
Picture: Historic Coventry
Posted by Adam Busiakiewicz:
A set of wall paintings have been conserved in the Charterhouse, Coventry. The set of three includes a large Crucifixion scene dating to c.1430, an early 17th century fictive imitation tapestry and a further large mural from the late 16th century.
Mark Perry, co-director of the The Perry Lithgow Partnership who undertook the work, is quoted as saying:
The earliest painting at Charterhouse depicts the Crucifixion in the centre with the Virgin Mary and St Anne on either side and several smaller figures in between. The main figures are very large and the painting would originally have covered the whole of the south wall of the monastery’s refectory. Due to extensive Post Reformation alterations to the building, only the bottom half now remains. This is the only surviving wall painting in a Carthusian monastery in England which means it is of national importance – it is one of the best pieces of Medieval art in the whole country.
Visitors will be able to see the newly restored works when the Charterhouse reopens in the Summer to celebrate Coventry's twelve months as UK City of Culture.
Martin Kemp on Salvator Mundi
May 4 2021
Picture: The Art Newspaper
Posted by Adam Busiakiewicz:
The renowned Leonardo scholar Martin Kemp has penned a piece for The Art Newspaper reiterating why he is convinced the Salvator Mundi is by Leonardo Da Vinci. The piece mostly focuses on the scientific evidence presented in favour of the attribution, evidence which was seemingly confirmed in the 'non-book' produced by the Louvre. Kemp also expresses his opinion on the claims made in the recent French documentary The Savior for Sale, which he calls "bogus" and "sensation-seeking".
The final paragraph too summarises his thoughts on the continuing saga:
The painting deserves better. It is not to blame for its ownership, past and present. Being owned by dealers, a Russian oligarch and a secretive Saudi prince tends to attract unfavourable attention. Poor painting! It is time the abuse stopped and the looking started.
