Christopher Baker announced as Editor of The Burlington Magazine
October 24 2023
Picture: British Art Network
Posted by Adam Busiakiewicz:
News from The Burlington Magazine's board that they have appointed Christopher Baker as the publication's new Editor. Christopher will be taking over from Michael Hall whose retirement was announced earlier in the summer.
A few notes regarding Baker's background:
Christopher Baker is an Hon. Professor at Edinburgh University. He has enjoyed a successful career at the National Galleries of Scotland (2003-22), most recently as the director with responsibility for the collection and programme at the Scottish National Gallery and Scottish National Portrait Gallery. Christopher has also worked at Christ Church, Oxford, and the National Gallery in London and has held Visiting Fellowships at the Yale Center for British Art and British School at Rome.
His non-executive roles in the U.K. include membership the Advisory Board of the Arts and Humanities Research Council, the Reviewing Committee on the Export of Works of Art and the Spoliation Advisory Panel. He has organised many exhibitions in Britain and internationally and his acclaimed Catalogue of English Drawings and Watercolours, 1600-1900, National Gallery of Scotland was published in 2011. A longstanding contributor to The Burlington, Christopher was convenor of the Magazine’s History of Collecting conferences (2003) and co-editor of the resulting book.
Holbein and the Renaissance in the North
October 23 2023
Picture: staedelmuseum.de
Posted by Adam Busiakiewicz:
Admirers of the works of Hans Holbein will have major exhibitions in both London and Frankfurt this winter! The Städel Museum will be opening their latest show next week dedicated to Holbein and the Renaissance in the North.
According to the museum's website:
It was a turning point in the history of art: Renaissance painting. What had begun in Italy developed into something completely new in Northern Europe in the works of the painters Hans Holbein the Elder (ca. 1464–1524) and Hans Burgkmair (1473–1531), pioneers of this singular art. Its centre was the free imperial and mercantile city of Augsburg, which became the capital of a German—but also an international—Renaissance within just a few decades. None other than Hans Holbein the Younger (1497–1543), one of the German Renaissance’s greatest painters, would ultimately make this art known throughout Europe.
The show will run from 2nd November 2023 until 18th February 2024.
€15m Leonardo Drawing to Leave France
October 23 2023
Picture: Le Monde
Posted by Adam Busiakiewicz:
News from France that the French State has finally been forced by a court to sign an export license for a drawing by Leonardo da Vinci, following on from a story posted here last May.
Michelangelo, Leonardo, Raphael at the RA in 2024
October 23 2023
Picture: The National Gallery, London
Posted by Adam Busiakiewicz:
It seems like the Royal Academy in London will be putting on a remarkable Florentine extravaganza in November 2024. Their online calendar has recently published the dates for their upcoming exhibition entitled Michelangelo, Leonardo, Raphael: Florence, c. 1504.
It's a little long way off yet, but the show will be scheduled from 9th November 2024 until 16th February 2025.
Upcoming Release: François Le Moyne Catalogue Raisonné
October 23 2023
Picture: silvana editoriale
Posted by Adam Busiakiewicz:
Exciting news that in January 2024 a new catalogue raisonné for François Le Moyne (1688-1737) will be published. The catalogue was edited by Professor Jean-Luc Bordeaux and (if my French is correct) has added 140 paintings and 250 drawings to his oeuvre.
For those who want to preorder their copy, the publisher's website has a very generous discount on at the moment of 30 euros off!
Dieric Bouts - Creator of Images
October 20 2023
Picture: mleuven.be
Posted by Adam Busiakiewicz:
This autumn the M Leuven are celebrating the creative genius of the early Netherlandish artist Dieric Bouts (c.1415–1475). This is being marked by both an exhibition and a new publication on the artist (pictured) as part of the 'New Horizons | Dieric Bouts Festival'.
According to the museum's website:
The concept of this exhibition is definitely radical: we are not allowed to look at Bouts as an artist. The image we have today of the artiste peintre did not exist in the 15th century. Dieric Bouts was not a romantic genius or brilliant inventor, he was an image-maker. He painted what was expected of him and excelled at it, just think about master pieces such as ‘The Last Supper’ and ‘The Martyrdom of Saint Erasmus’. That is why it makes sense to confront him with today's image-makers of sports photographers, filmmakers and game developers. M places them side-by-side with the old master.
The exhibition opened today and will close on 14th January 2024.
Genoese Drawings and Prints at The British Museum
October 20 2023
Picture: The British Museum
Posted by Adam Busiakiewicz:
The British Museum have recently opened their latest free exhibition of Old Master Drawings and Prints. Superb line prints and drawings from Genoa 1500–1800 examines the rich collections of works on paper from Genoa in the museum's collection. With over fifty works on display, spanning three centuries, it seems to be the perfect opportunity to examine some rare treasures rarely on display.
According to the museum's website:
From the 16th to the 18th centuries, the port city of Genoa was one of Italy's major artistic centres. Nicknamed 'La Superba' ('the proud one') by the Medieval poet Petrarch, it was among the wealthiest cities on the Italian peninsula, with strong trade links across Europe and beyond.
These links and the riches they brought made Genoa a desirable destination for painters and sculptors wanting to study or find lucrative work. Superb line opens with works by the first major arrival, Raphael's pupil Perino del Vaga, who transformed the artistic scene when he came in 1528, introducing a new, modern manner seen in drawings like the Venus and Aeneas, which typifies his distinctive blend of graphic confidence and courtly stylishness.
Other prominent artists soon followed Perino's lead and, over the next 150 years, the city continued to attract even bigger names like Rubens and van Dyck. This constant injection of new blood kept Genoa at the cutting edge of artistic trends, creating a nurturing environment for homegrown talents to develop in their own right. In the following centuries the city produced a steady stream of internationally renowned painters, among them Luca Cambiaso, Bernardo Strozzi and Giovanni Benedetto Castiglione, who were especially feted for their innovative, often experimental graphic works, wowing collectors with dazzling displays of line. Featuring highlights from the British Museum's longstanding holdings of Genoese prints and drawings, this display celebrates the virtuosity and originality of the city's artists.
This free exhibition will run until 1st April 2024.
Berlusconi's Art Collection
October 20 2023
Posted by Adam Busiakiewicz:
The Guardian have published an incredibly curious story on the fate of the former Italian PM Silvio Berlusconi's art collection. The collection of artworks, which is said to number 25,000 works and cost the former PM €20m, is said to be 'worthless'.
To quote the article:
Vittorio Sgarbi, an undersecretary at the culture ministry, art critic and close friend of Berlusconi, said the compulsion for buying art sold through TV auctions began in earnest in 2018 as a result of “sleepless nights”.
He told Report, the investigative series broadcast on Rai, that Berlusconi spent an estimated €20m on what Sgarbi described as a collection of “daubs”, and the focus appeared to be on quantity rather than quality.
...
The family is believed to be considering turning Villa San Martino, where Berlusconi hosted business and political meetings as well as some of his famous “bunga bunga” parties, into a museum.
Looking at the press image supplied, it is quite clear that these are mostly very late copies of famous Italian Old Master paintings. It is a mystery to me how they might have totted up to €20m. Very odd.
Sleeper Alert!
October 20 2023
Picture: Il Ponte
Posted by Adam Busiakiewicz:
News shared on 'X' (via. @AuctionRadar) has pointed out that the following Concert in a Landscape, catalogued as 'Follower of Frans Francken', realised an impressive €130,000 over its €1,600 - 1,800 estimate at the Il Ponte Auction House in Milan the other day.
Klimt & The Kiss - Upcoming Release
October 20 2023
Video: seventh-art.com
Posted by Adam Busiakiewicz:
A new film will be out in the cinemas on 30th October 2023 exploring Gustav Klimt's iconic painting in Vienna. Klimt & The Kiss is the latest film documentary by Seventh Art Productions, who were also behind the Vermeer: The Greatest Exhibition film. The film was created in association with The Belvedere, Vienna, the painting's palatial home.
Upcoming Botticelli Drawings Exhibition & Symposium
October 20 2023
Picture: famsf.org
Posted by Adam Busiakiewicz:
The Legion of Honor Museum at the Fine Arts Museums of San Francisco will be opening a major exhibition next month dedicated to Botticelli Drawings. Said to be the first exhibition of its kind, the show will also include a significant symposium on the subject which will be held on 18th November 2023.
A description of the upcoming exhibition:
Botticelli Drawings is the first exhibition ever dedicated to the drawings of Renaissance artist Sandro Botticelli (ca. 1445 – 1510). Exploring the foundational role drawing played in Botticelli’s work, the exhibition traces his artistic journey, from studying under maestro Fra Filippo Lippi (c. 1406 – 1469) to leading his own workshop in Florence. Featuring rarely seen and newly attributed works, the exhibition provides insight into the design practice of an artist whose name is synonymous with the Italian Renaissance. Botticelli’s drawings offer an intimate look into the making of some of his most memorable masterpieces, including Adoration of the Magi (c. 1500), which will be reunited with its preparatory drawing, surviving only in fragments. From Botticelli’s earliest recorded drawings through expressive designs for his final painting, the works on display reveal the artist’s experimental drawing techniques, quest for ideal beauty, and command of the line.
The show will run from 19th November 2023 until 14th February 2024.
The RKD are Calling for Stamps and Brands!
October 20 2023
Picture: codart.nl
Posted by Adam Busiakiewicz:
CODART (International network for curators of art from the Low Countries) have shared news that the RKD in the Netherlands are calling for photographs of makers stamps and brands for a brand-new digital database. As all picture researchers will know, this information can prove vital in assessing the origin, dating and significance of a work of art.
According to the article linked above:
In the project Marks on Art, the RKD works in close collaboration with Prof. em. dr. Jørgen Wadum. The starting point is Wadum’s unique dataset of thousands of marks, collected since the 1980s during visits to collections and auction houses. By January 2025, the RKD aims to present this dataset in its sustainable and freely available database infrastructure, permitting cross-linking between artwork, artist, and technical research data such as dendrochronological research results. In addition, a revised and expanded version of Wadum’s 1998-article ‘The Antwerp Brand on paintings on panel’ will be published in the open access publication platform RKD Studies. This project received a generous grant from the Getty Conservation Institute (GCI) providing Wadum with a three-month Conservation Guest Scholarship, as well as a Digital Art History Grant to the RKD from the Samuel H. Kress Foundation.
Details of how to get in touch with the relevant researchers can be found via the link above.
Tate are Hiring!
October 19 2023
Posted by Adam Busiakiewicz:
Tate Britain are hiring a Curator of Modern and Contemporary British Art.
According to the job description:
An exciting opportunity has arisen to join the Tate Britain curatorial department as Curator of Modern and Contemporary British Art. An experienced curator of art made in twentieth-century Britain, you will work as part of the Modern British Art team (covering c. 1900-1990). You will be responsible for the care and presentation of the twentieth-century Collection, in particular of those works within the period 1945–1990, and its development through acquisitions. You will be responsible for developing and delivering collection displays and curate exhibitions. A team player, you will be supervised by the Senior Curator, Modern and Contemporary British Art.
The job comes with an annual salary of £40,717 per annum and applications must be in by 22nd October 2023.
Good luck if you're applying!
Ancient Acheulean handaxe Identified in Melun Diptych
October 19 2023
Picture: cambridge.org
Posted by Adam Busiakiewicz:
I recently came across an article promoting this fascinating research paper that was published in the Cambridge Archaeological Journal earlier this summer. The article by Alastair Key, James Clark, Jeremy DeSilva and Steven Kangas discusses their identification of an ancient Acheulean handaxe in Jean Fouquet's Melun Diptych in the Royal Museum of Fine Arts, Antwerp.
Here's the paper's abstract:
Handaxes have a uniquely prominent role in the history of Palaeolithic archaeology, and their early study provides crucial information concerning the epistemology of the field. We have little conclusive evidence, however, of their investigation or societal value prior to the mid seventeenth century. Here we investigate the shape, colour and potential flake scarring on a handaxe-like stone object seen in the Melun Diptych, painted by the French fifteenth-century artist Jean Fouquet, and compare its features with artefacts from diverse (including French) Acheulean handaxe assemblages. Commissioned by a high-status individual, Étienne Chevalier, Fouquet's work (Étienne Chevalier with Saint Stephen) depicts an important religious context, while the handaxe-like object points to the stoning to death of an important Christian saint. Our results strongly support the interpretation that the painted stone object represents a flint Acheulean handaxe, likely sourced from northern France, where Fouquet lived. Identifying a fifteenth-century painting of a handaxe does not change what we know about Acheulean individuals, but it does push back the evidence for when handaxes became a prominent part of the ‘modern’ social and cultural world.
The article is free to read via the link above.
The British Museum to embark on £10m Digitization Project
October 19 2023
Picture: The British Museum
Posted by Adam Busiakiewicz:
In wake of the recent scandal regarding thefts from The British Museum, the organisation has announced a £10m cataloguing and digitization project 'in order to increase security and public access'. The museum has estimated that the project will take 5 years to complete, and will include enhanced access to study rooms so that members of the public can view items from their collection.*
* - Let's hope this includes increasing access to the museum's superb collection of works on paper, which is currently only open to the public on Wednesdays and Fridays.
Free Lecture: Women, Water, and Materiality in the Early Modern Genoese Garden
October 19 2023
Picture: warburg.sas.ac.uk
Posted by Adam Busiakiewicz:
Lovers of Rubens' and Van Dyck's Italian period might find the following free lecture of great interest. In a few days time the Warburg Institute in London will be hosting a free online lecture on A Material World - 'Women, Water, and Materiality in the Early Modern Genoese Garden', which is presented by Ana Howie of Cornell University.
According to the talk's blurb:
Early Modern Genoa was renowned for its pleasure gardens, filled with fountains, scherzi d’acqua, artificial lakes, and grottoes, which celebrated the wonders of water. In the early seventeenth century, Flemish painters Peter Paul Rubens and Anthony van Dyck sojourned in the wealthy port city and painted magnificent portraits of the city’s noblewomen embedded in garden settings. In these portraits, water splashes across the canvas and threatens to soak their sitters and beholders; this lifelike substance is at once erotic, affective, visionary, and poetic. This paper investigates the aesthetics of water in Rubens’ and van Dyck’s portraits to uncover the plurality of meanings that water, in all its forms, held for an elite Genoese audience.
The free talk will be held online on 23rd October 2024, although booking is essential.
_________________
Although I am by no means an expert in this area, fountains appear constantly in and around Van Dyck's English period too (1) (2), and it taken on later by Sir Peter Lely also (1). A most interesting topic, it seems.
Noël Coypel at Versailles
October 19 2023
Video: Châteaux de Versailles
Posted by Adam Busiakiewicz:
A new exhibition dedicated to Noël Coypel, father and ancestor of more celebrated artists of the same name, opened at the Châteaux de Versailles this week. The show contains 90 works, including paintings, drawings, tapestry cartoons, which illuminate his work at Versailles and beyond. The curators and conservators at the Châteaux also took this opportunity to conserve some of his more neglected works, the results of which can be seen in the video above!
The exhibition will run until 28th January 2024.
Rosalba Carriera Miniatures on Ivory
October 19 2023
Picture: carezzonico.visitmuve.it
Posted by Adam Busiakiewicz:
A new exhibition has just opened at the Ca' Rezzonico in Venice on the subject of Rosalba Carriera's miniatures on ivory. The exhibition has been curated by Alberto Craievich, Director of the Museum, and contains no fewer than 36 examples on display.
According to the blurb on the website:
In addition to devoting herself to pastel portraiture, Rosalba Carriera was an outstanding painter of miniatures on ivory; in fact she pioneered this genre, elevating it from a craft to a true art. Using an innovative technique, she succeeded for the first time in bringing the fluid, vibrant brushstrokes of painting on canvas to tiny ivory supports. Her success was immediate. There was no visitor to Venice who did not aspire to have a miniature portrait made by Rosalba. Today, however, these small images are rare, in fact their number is much smaller than her pastel work.
It is to Rosalba Carriera the miniaturist that this retrospective is dedicated, with thirtysix works on display, together with the pastels from the Fondazione Musei Civici di Venezia and from private collections. The exhibition offers a very rare opportunity to admire these works of extraordinarily delicate refinement, now classic examples of Rococo art, in the year that marks the three hundred and fiftieth anniversary of the artist’s birth.
The exhibition will run until 9th January 2024.
Tate Discover their Devis was Chopped in Half!
October 18 2023
Picture: Tate
Posted by Adam Busiakiewicz:
Tate have posted a very fun short video on their Instagram account regarding a fascinating conservation and research project on a painting by Arthur Devis. Conservator Rachel Scott's investigation and treatment of a portrait by Devis in the collection revealed that one of the margins had been added with an old piece of canvas cut from the bottom of the painting, which suggested to her that the work had been cut-down from a much larger composition. With the help of curator Alice Insley, a trip to the Courtauld photograph library managed to find the other missing half (left), which corresponds directly to the Tate's fragment. It appears that the double portrait might have been cut in half at some point during the past, perhaps in an effort to create two paintings to sell instead of one (a common practise centuries ago!).
Perhaps a reader of AHN might know where the other of the painting might be. If so, do get in touch!
Deputy Mayor Protests at Botched Restoration
October 18 2023
Picture: ansa.it
Posted by Adam Busiakiewicz:
News from Italy that the Deputy Mayor of The Municipality of Cortona (Arezzo) Francesco Attesti has written an open letter condemning the 'creative' and 'arbitrary' restoration of a painting attributed to Bartolomeo della Gatta (1448-1502) (before restoration - on the left). The work is currently on loan to the Fred Jones Museum in Oklahoma for an exhibition entitled the Treasures of Tuscany: Renaissance in Arezzo, and appears to have been 'restored' in Italy in anticipation of its loan to the American museum. The article above explains that the Mayor has called for a investigation as to whether the conservation work may constitute financial damage.
